![]() And he gets the right foil in Alia Bhatt their chemistry is crackling.Īnd while the two take the film forward with absolute confidence, it is the supporting crew that makes the world believable. Varun Dhawan has that right mix of goofiness, natural charm and attitude for Badri. Small cities and towns with believable characters and the earthy settings always make for flavourful viewing. In choosing Jhansi and Kota, the film also presents the other side of India - far removed from the consistent battering down of Delhi and Mumbai by our filmmakers. After all, this city has been home to one of the most courageous women warriors of India. While the inevitable compromises are called in to wrap it all up, the film's message is clear: That the individuality of a girl is second to none.īadrinath Ki Dulhania is set in Jhansi, and the choice could not have been coincidental. Post-interval, the film shifts gears after a disturbing turn in the life of Badri and Vaidehi brings to spotlight not just the dowry system but also the core theme of the film - women's empowerment. Shashank shows great restraint in not making Vaidehi a caricatured feminist this is just any girl, who dreams and dares to do. When Badri meets the rather feisty yet friendly Vaidehi (Alia Bhatt), he doesn't even bother to think if she likes him he believes he is the best in Uttar Pradesh for her. ![]() While women cry foul at the social inequalities, it is not surprising that the prevailing order continue uninterrupted - after all, not everyone has the nerve or need to fight back. The hero Badrinath (Varun Dhawan) conforms to the equation he doesn't see anything wrong or right in the dowry system - he simply plays along because he doesn't want to challenge the order or take on his powerful dad.īadri's characterisation by Shashank Khaitan, who writes and directs the film, could not have been more spot on in contemporary India. Typically, therefore, the film goes to establish the patriarchal order of families, and how women - despite their dreams or qualification - are relegated to being 'house-wives.' That is why the detailed disclaimer at the start of the film, asserting that neither the film nor the cast endorses anything related to discriminating women is relevant. In fact, the regression is passive - and almost accepted by all. And it stands out by pinpointing the regressive social system of dowry without making the proceedings melodramatic or overdrawn. It is hard to dislike the movie with its deft mash up of situational comedy, new locales and some tender 'family moments' with a rather predictable romance. “Badrinath Ki Dulhania” intrepidly questions rigid, outdated customs Indira Gandhi, an icon of female advancement aware, acknowledging, paraphrasing the words of Robert Frost, that we still have miles to go before we sleep, miles to go before we sleep.Humour, relatable characters and effortless performances make Badrinath Ki Dulhania, the second in the Dulhania series featuring Varun Dhawan and Alia Bhatt a breezy watch. Badri feels his charms are enough to attract any woman but Vaidehi has other ideas.īoth protagonists mature, recognizing, compromising, and respecting their disparate capabilities unfortunately, the film stumbles as Badri finds solace in alcohol his pivotal confrontation with his intransigent father had to be exercised, infused with liquid courage. “Badri” who is a lovable wastrel running around with his friend, a wedding arranger his tyrannical father is a money lender (Badri collects the debts) and his older brother, adjusting to his arranged marriage, runs a car dealership. But “Badrinath Ki Dulhania” takes an ambitious detour and addresses India’s patriarchal society: fathers’ quest for the appropriate bride/groom for their progeny a “dowry deal” before the astronomical marriage date is set children are expected to give full, unequivocal loyalty, accepting, unquestioning parental choices. ![]() In strict “Bollywood” mode there is an instant pheromone connection, scintillating dance numbers, myriad of costumes, motorcycle jaunts all leading to the inevitable match. ![]() Director Shashank Khaitan reunites Bhatt and Bhawan after 2014’s successful “Humpty Sharma Ki Dulhania”. ![]() Dimpled Alia Bhatt (“Vaidehi”) has matured in stature, encompassing the inimitable talents of her parents, Soni Razdan and Mahesh Bhatt “Highway”, “Kapoor & Sons”, “Dear Zindagi” and now as the “Bride” of “Badri” (Varun Bhawan) she soars as a confident woman, controlling her own destiny. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |